The story explores the tension between domestic tradition and contemporary reinterpretation, taking the visual language of the 1950s housewife and pushing it into something exaggerated, performative and quietly rebellious. The starting point was the strange return of traditional femininity as a form of contemporary power. From Nara Smith’s highly stylized housewife persona, which turns domestic codes into a global image and business of its own, to the women of The Secret Lives of Mormon Wives, who grew up within deeply conservative structures only to become the providers and public figures of their own lives. In both cases, traditional codes are not simply rejected, but appropriated and rewritten.

For the fashion story, photographer Tom Blesch and I translated this tension into a hyper-stylized domestic universe. Florals reminiscent of vintage oilcloths, lace recalling grandmother’s curtains, architectural knits, pencil skirts and the cone-shaped bras of the 1950s are paired with oversized pearls, layered cardigans and exaggerated proportions. Inspired by vintage jewelry advertisements, the model becomes both subject and display, polished, composed and almost impossibly ornamental.




We deliberately pushed these domestic codes beyond functionality. High jewelry is arranged on an ironing board as if it were another household object. Oversized pearl necklaces stretch to the floor, becoming far too impractical to cook, clean or move in. A look built around the rituals of the home is taken onto a trampoline, turning the supposedly controlled image of the housewife into something physical, playful and unruly.

The clothes play with the contradiction at the heart of these references: femininity as both expectation and performance, domesticity as both constraint and self-invention. By making familiar symbols of the traditional housewife excessive, glamorous and deliberately impractical, the story asks what happens when these codes are no longer worn as rules, but as tools to construct an identity, claim visibility and redefine power.